Hamare ghar ke lalla-ji!

हमारे प्राणों में रहने वाले और हमारे रखवाले

Yashoda-maiya: unselfconscious tenderness and maternal bliss

Yashoha-maiya, perhaps the best ever description of a mother-child relationship. Selflessness, pride, shelter, support, fear, affection, love, stimuli, sacrifice; so much more that words cant express.

Yashoda-maiya though orchestrated as one of the character in Mahabharat has been a pivotal role in making this epic come alive.

I derive a lot of strength from her personality. Her sacrifice was the greatest and her affection was in comparable.

This picture has been one of my favorites for a very long long time.

Dance of the flute

ananyāś cintayanto māḿ

ye janāḥ paryupāsate

teṣāḿ nityābhiyuktānām

yoga-kṣemaḿ vahāmy aham

Created by Krishna, this world around us exists only for a short time. Infinite in it's expressions.

Ae Ri Main Toh Prem Deewani, Mero Dard Na Jaane Koi..

Ae Ri Main Toh Prem Deewani, Mero Dard Na Jaane Koi

Ae Ri Main Toh Prem Deewani, Mero Dard Na Jaane Koi


Sooli Upar Sej Hamaari (2) Sono Kis Bidh Hoye (2)

Gagan Mandal Par Sej Piya Ki (2), Milano Kis Bidh Hoye

Dard Na Jaane Koi

Ae Ri Main Toh Prem Deewani, Mero Dard Na Jaane Koi

Ae Ri Main Toh Prem Deewani, Mero Dard Na Jaane Koi..


Ghayal Ki Ghat, Ghayal Jaane (2), Aur Na Jaane Koi (2)

Meera Ke Parbhu Peer Mite Jab (2), Bairi Sanwariya Hoye

Dard Na Jaane Koi

Ae Ri Main Toh Prem Deewani, Mero Dard Na Jaane Koi

Ae Ri Main Toh Prem Deewani, Mero Dard Na Jaane Koi!

Mai to saawre ke rang raachi

Mein Tho Sanware Ke Rang Raachi
Saji Sringar Baandhi Pag Ghoongharoo
Lok Laaj Taji Naachi
Mein Tho Sanware Ke Rang Raachi


Gayee Kumathi Layee Sadhu Ki Sangati
Bhagath Roop Bhayee Saanchi
Gaay Gaay Hari Ke Gun Nisdin
Kaal Vyaal Soon Baanchi
Un Bin Sab Jag Khaaro Laagath
Aur Baat Sab Kaanchi
Meera Sri Giridhar Lal Soon
Bhagathi Rasili Jaanchi